Azed
said this: Every clue should contain a definition or equivalent of
the answer plus a cryptic treatment of its component parts, and
nothing else. Every word in the clue must have a function as part of
the whole, and there should be no superfluous verbiage.
He is of course right, in that simply sticking in extra
words to give the clue more plausible surface (or literal) sense is
unfair: the solver has to second-guess any clue that does this by
ignoring the verbiage. In a sense clues like this are literally a
waste of time – since the solver will have been misled to no useful
purpose. Such sloppiness is rare (but alas not unknown) in
crosswords from respectable sources.
As any setter with more than five minutes’ experience
will know, there are times when a clue can only be made to work well
if a word is inserted to link the wordplay and the definition. Take
this example:
Bucket is white, we hear (4)
for PAIL. We have the definition (bucket) and the
wordplay (a homophone of PALE) linked by the verb “is”. Taking
Azed’s statement at face value, the clue should
read
Bucket white, we hear (4)
but while the clue works cryptically, it doesn’t read
nearly as well as a meaningful phrase or sentence. Inserting “is”
here obviously helps the surface but this is not a case of putting
in unnecessary verbiage. At the very least “is” is valid as a kind
of equals sign, indicating equivalence between wordplay and
definition. It helps the solver work out where the break between the
definition and the wordplay occurs. That may not seem necessary in a
simple clue like this, but imagine that the setter had tried to
avoid the link word by phrasing the clue like
this:
Bucket, we hear, white (4)
The surface reading isn’t much (or any) better than the
previous example but this clue is unfair, in that we have no idea
whether the answer should be PAIL or PALE. Changing this to
Bucket is, we hear, white (4)
pretty much solves the problem, although having gone
this far we might as well revert to the original as it reads
better.
All
this is to show that link words can be harmless and
sometimes helpful or even necessary, for surface and other
considerations. I
should note here that I have not quoted Azed to disagree with him or
prove him wrong; although he successfully avoids link words in his
clues most of the time (that’s admirable) he does use them
occasionally himself.
Conjunctions can be useful link words too. For example
Departed or remaining? (4)
or
Departed but remaining? (4)
both
are possible clues to LEFT (the question mark in both
cases is just for surface sense).
Come in after fish and chips (9)
is another valid example – if somewhat unoriginal – as
a clue for CARPENTER.
All the examples above have a feature in common. The
only factor determining whether we have the order [WORDPLAY] [LINK
WORD] [DEFINITION] or [DEFINITION] [LINK WORD] [WORDPLAY] is the
surface sense; in the cryptic sense, either way round is possible.
The link word functions as an equals sign does in an equation, so if
A = B then B = A.
There are other link words, often used by setters,
which are directional – in that it does matter which order the parts
of the clue are presented in. For example:
Elgar composed for royal (5)
Not very exciting, but a safe and fair clue for REGAL.
This clue tells us clearly that we need to compose the letters of
ELGAR for a word meaning royal.
In this case, the clue is presented in the order
[WORDPLAY] [LINK WORD] [DEFINITION] and this is correct because the
link word FOR suggests that you need to solve the wordplay to get
the answer. Other link words which can be used in this way are
“gives”, “gets”, “produces”, “provides”, or “leads to”, and that
list is by no means exhaustive. Any word or phrase which suggests
that the wordplay results in the answer can be used, and the choice
of these will depend on how well they fit into the surface
reading.
Now let’s look at another clue:
Despondency from changing diapers (7)
Here the clue tells us
that we get the answer (DESPAIR) from an anagram of DIAPERS and so is
rightly presented in the order [DEFINITION] [LINK WORD] [WORDPLAY].
There are fewer alternative link words in this case and some of the
ones in common use are a little debatable – such as “of” and “by”. “Of” can mean “from” in certain contexts (“out of” =
“out from”), and “by” can mean “produced by” in that Hamlet is by
Shakespeare, but as any student of English knows, the exact meaning
of prepositions is extremely subtle and in my view, the use of both
of these in clues to mean “derived from” is rather tenuous. I use
them myself as a last resort, when all else fails, but don’t like
them very much.
What about a clue like
A
wise man for ages, possibly (4)
There’s a potential problem here. As the clue is
written, it states that if you start with the answer SAGE (a wise
man) and jumble it up, you get AGES as an anagram of it. In other
words, we have the answer leading to the wordplay, rather than the
other way round. Does this matter?
The statement the clue makes is a true one. The word
SAGE does indeed need to be jumbled up to get AGES. There’s
certainly enough information in the clue for us to solve it – we can
simply see it as “Which word for a wise man is an anagram of AGES?”
and it’s hardly difficult to proceed from there. The clue is fair,
if rather untidily presented.
I have
seen
this sort of thing not only from the more “libertarian” setters, but
also from setters who pay scrupulous attention to detail in
other areas. When setting I try to avoid it as much as possible –
I am something of a perfectionist – but there are times when I
have an idea for a clue which I think solvers will greatly enjoy but
which will only work if presented as “answer leads to wordplay” or
“wordplay comes from answer”. I’ll spend a fair old while trying
to get it the “right” way round, but if I can’t get that to
work and I think it would be too great a shame to waste what is otherwise
a good clue, I’ll run with it and hope nobody notices. I would
be willing to bet that the majority of solvers won’t or if they do,
they won't be the least bit bothered about it!
Other link words which are of interest are “to”, “in”
and “with”. “To” is reasonable in some contexts as a “leading to”
link word; for example
Settler resorted to snail mail (7)
for LETTERS, but what about
Not allowed on the phone to ring
(4)
for BAND? I have a
problem with this one. The use of “on the phone” in conjunction with
“ring” may strike some as clever, but here the little word “to”
could be misconstrued as part of the infinitive “to ring” (as in to
phone). Misdirection is of course the aim of the setter but I
believe this is one misdirection too far and unfair, and I groan
whenever I see it (which is unfortunately quite often in some
quarters).
While on this point, what about
Crazy Cosima heading off hell for leather
(7)
I
think this is fair, as although on the surface the link word “for”
appears to be part of a common phrase, the cryptic part is
unambiguous: make an anagram for COSIMA H to get a type of leather
(CHAMOIS).
The use of “in” as a link word was the basis of Monk’s
e-mail. I have always blithely used it, as many setters do, as a
non-directional link – in other words, being unconcerned about the
order of the wordplay and the definition. He suggested that as a
link word, “in” implies “found in” so clues of this type should read
[DEFINITION] in [WORDPLAY]. I think he’s right, and shall bear that
in mind when clueing in future. The only exception is when “in”
links two definitions of the answer, in which case the order doesn’t
matter.
“With” as a link word has received much opprobrium in
recent times. I can’t for the life of me see why. “With” is a
synonym for “by means of” – you make an omelette with beaten eggs,
for example. So what’s wrong with
Run off with returning Eastern European
(5)
as a way to get ELOPE from a reversal of E
POLE?
I’ve never seen a cogent reason why
“with” is unsuitable as a link word. If this was just an idea put
forward by the small minority of Internet chatterers who seem to
delight in making petty criticisms without having written a single puzzle
themselves, I would ignore it. But the point has been made by
well-respected authorities on clueing, so I have (reluctantly)
avoided using it for some time now.
Let’s move on – to link words which are, as Azed would
say, verbiage. I can think of a number of examples I have seen in
the national papers’ crosswords but I will invent my own here to
avoid any offence. Such as
Mark’s back at school (4)
Right – Monica resettled on island
(7)
for
ETON and MINORCA. What possible function can “at” and “on” have as
link words here? They do not suggest equality, or that one part of
the clue leads to the other. They are simply stuck in there to give
the clue a decent surface reading. If this sort of thing were
confined to amateurs and new setters learning their trade, then I
wouldn’t mind. But it does rather annoy me to see this sort of thing
in the crosswords of quality papers.
I
don’t want to resurrect the whole Ximenean/libertarian debate here.
But let me say this: since I wrote my two pieces on Ximenean clueing
a few years ago, it’s become noticeable that among some solvers and
setters the term “Ximenean” has taken on a somewhat negative tone,
rather in the way that “political correctness” and “Health and
Safety” now tend to refer to the ridiculously over-zealous pursuit
of what were originally well-meaning causes. “Ximenean” is now used
by some to evoke the idea of pedantic old buffers who want to put
crosswords in a glass case in a museum. In some ways this is
understandable – for example not so long ago I read a discussion in
which the classic
Bust down reason? (9)
for BRAINWASH was declared by some to be
no good after all, as the definition (which is the whole clue, as is
the wordplay) doesn’t have an object. Well, maybe that’s technically
right, but the clue’s still a bloody good one and it’s this kind of
nit-picking that puts people off the whole Ximenean caboodle. That
is of course a great shame – Ximenes himself provided by far the
best guidelines for what makes for good cluemanship without being
prescriptive or preachy, and it’s hardly his fault that a few people
have taken the original ideas too far.
Without a doubt the greatest
contribution Ximenes made was to ensure that solving was enjoyable and satisfying. He
wasn’t laying down immutable laws or establishing some sort of
“cruciverbal correctness” – quite the opposite in fact. He was making
sure that solving puzzles was not a slog on account of the setter
being sloppy.
The examples I’ve given of bad clues for ETON and
MINORCA are simple enough that the redundant link words are unlikely
to cause many problems. In more complex clues, though, unnecessary
words like this could waste a considerable amount of the solver’s
time without offering any reward at all. I’ll admit that when I
(fortunately rarely) encounter this and other forms of sloppiness in
the nationals, my reaction is generally “why the hell do I bother?”
By which I mean why do I bother taking so much time – sometimes to
the point of spending a whole morning on just two clues – to do my
best to make my clues as neat and tidy as possible? I’m not saying
all my clues are good – far from it. I’ve written plenty of so-so
ones and some clunkers too, but I like to think that those clunkers
were at least fair clunkers. It’s not just me of course – the vast
majority of setters take pride in their work and will wrestle with a
recalcitrant clue until they’ve got it absolutely right.
Let’s
leave the
rant there and sum up. In an ideal world, there wouldn’t be any
need for link words. In practice, many clues do require some sort of
link between wordplay and answer, and there are quite a few words in
the English language which perform this task neatly. In a number of
cases, these words are directional in the sense of [ANSWER] comes
from [WORDPLAY] or [WORDPLAY] leads to [ANSWER]. Ignoring the
directional nature of such link words does rather detract from
the elegance and neatness of the clue, but sometimes the setter
can get away with this if the clue is in other respects a very
good one. It is wise, though, to take to heart the quote from Azed
at the start of this piece and not insert redundant words into the
clue just to make it flow better. Even if many solvers don’t notice (or care
about) these last points, the setter's aim is to use the versatile
and rich English language to provide cryptic instructions to the
solver, and the more accurate those instructions are, the better all
round!